It Isn’t Murder If They’re Yankees

It is, in theory, very easy to be a terrorist in America. I wrote that line sometime between 1997 and 1999, in response to the 1993 bombing of the World Trade Center, the opening event of It Isn’t Murder If They’re Yankees. While discussing it at their local bar, Sam Lee remarks that we can’t ban explosives because “we’ve got powerful explosives available everywhere. We drive them every day.”

One man’s essential tool is another man’s terrorist weapon. I considered changing that line after the events of September 11, either getting rid of it or adding “and fly in them” to make it even more prophetic, but ultimately decided against it. Sam earlier said that identifying root causes of terrorist acts is not the same as giving in to terrorists. That is a serious part of what Yankees is about, so the line stayed.

The tools for terrorism will always be available, no matter how many freedoms we take away from Americans. No matter how much we crack down on people who don’t look like us. If we truly wish to stop terrorist acts, we need to stop making people want to be terrorists, we need to stop funding criminals and terrorists with the same stupid laws that funded the mafia in the twenties, and we need to stop telling victims that their best response to crime and terrorism is to acquiesce until the criminal goes away. That, and the limits on it, is what It Isn’t Murder If They’re Yankees is all about.

Sorry for giving the ending away. You can read more about my views on this in Always Trust a Criminal.

If you haven’t read the intro yet, you should go to the It Isn’t Murder If They’re Yankees home page.

Who did your wonderful artwork?

The cover art and internal art was designed by myself, Casey Wasser, and Triska Wasser. Triska did the final drawings. You can see my version of the bridge image at the top of this page for comparison. Triska’s work is amazing, and you can see more of it at her web page.

Sources and Inspiration

Reviews

In the course of writing this book, I read a lot of interesting books about national events in 1993, “the war,” and the South in general. You may find some of these interesting. I certainly did.

This is Not an Assault, by David T. Hardy
Liberals who fear a police state will have their fears confirmed, and Conservatives who believe in strong law enforcement should receive a wake up call from “This Is Not An Assault.”
Birth of a Nation, directed by D.W. Griffith
One of the first feature-length films ever, notable for its historical value. Highly racist, even for its time. It is especially interesting because the racist nature wasn’t obvious to many until it was pointed out to them. Woodrow Wilson apparently endorsed it, and then retracted that endorsement during the firestorm that followed.
The Abolitionists, by Merton L. Dillon
The anti-slavery activists were always a tiny minority who never captured Northern mindshare, but they managed to “succeed” by using the South’s own strength against it.
The Civil War in Popular Culture, by Jim Cullen
The subtitle is “A Re-Usable Past” which brings to mind the “removable conscience” of A Canticle for Leibowitz.
The Illustrated Confederate Reader, by Rod Gragg
Gragg tells the story of the war through primary texts, usually letters from those taking part, but also with contemporary photos.
The Ghosts of Virginia, by L. B. Taylor
As the oldest state, Virginia might also claim to have the most ghosts. She’s certainly seen enough bloodshed through her young life.
The First Book of the Confederacy, by Dorothy Levenson
What, did you think I made this book up? You can’t find it nowadays except in collectibles shops, but it did exist, and I ran across it in a local public library before I started writing It Isn’t Murder.

Music

I also found the music of Michelle Shocked, Tracy Chapman, Southern Culture on the Skids, and the Indigo Girls inspirational, especially the following albums from the story’s time period:

Understanding the Characters’ Mindset

Whle the main theme of Yankees appears to be rarely touched upon in literature and art (Spider-Man, both the book and the movie, touched on it and then ignored it), there are a lot of wonderful books, albums, and movies touching on various minor themes within the story.

Crossroads and Matters of the Heart (Tracy Chapman)
Crossroadscontains All that you have is your soul, part of the answer that Carolyn is searching for throughout 1993. Matters of the Heart was released in 1992, and when it came out I didn’t really get it. The opening song, bang bang bang, is a brilliant description of the dangers of prohibition, how it fosters violence among children. I didn’t get this then, because I supported prohibition. I’ve matured since then.
Sartoris, and other novels by William Faulkner
Faulkner’s Sartoris/Snopes novels comprise an epic tale of a two Southern families. Sartoris, of course, focuses on the Sartoris family. Quiet a few Sartoris men named “Bayard” watch their family fall into decline over the course of these novels, and three of them make an appearance in Sartoris.
To Kill a Mockingbird, by Harper Lee
I don’t think you can fully enjoy any Southern civil rights work without having read To Kill a Mockingbird. All such works are written in the shadow of Harper Lee.
Dazed & Confused, directed by Richard Linklater
An incredible tale of sound and fury signifying high school. Linklater has crafted a beautiful story of a bunch of high schools students in Texas on the last day of school in 1976. There is no plot to get in the way of characterization. The soundtrack consists of seventies songs chosen specifically scene by scene for maximum impact. If you were ever in high school, you should see this movie for nostalgia reasons; if not, you should see it as an education.
1001 Things Everyone Should Know About the South, by John Shelton Reed and Dale Volberg Reed
A thousand and one small blurbs on various aspects of the South, such as which soft drinks are popular, regional aspects, and fast-food restaurants. It is a rare such book that presents the interesting instead of the bland, and that provides enough information to allow you to dig deeper in other sources for more if you are so inclined. It also does not treat the South as a single entity, but notes regional differences where necessary.
Thelma & Louise, directed by Ridley Scott
Susan Sarandon plays a thick-skinned, tough-as-nails waitress who warns two young girls that they shouldn’t smoke in one scene because smoking “lowers your sex drive,” and then in the next scene she lights up a cigarette herself. There’s no irony: Louise undoubtedly considers that smoker’s side-effect a bonus.
For Lovers Only and Dirt Track Date (Southern Culture on the Skids)
Dirt Track Date was released in 1995, but I’ve included it here because Eight Piece Box is Tom’s theme song. Southern Culture on the Skids celebrate the legendary downtrodden rural southerner, turning stereotype into pride.
The Walkerville Weekly Reader
Even though Sam Lee has moved out of Virginia, he’s kept the paper up on-line. He receives some important assistance from Shaheen Hamedi. They’re hardly a politically correct duo, and they tend to rant more about democrats than republicans, but they’ve got a catchy slogan: Sic Semper Hypocritae

Self-Publishing for the Masses

Self-publishing is becoming easier and easier nearly every day. Successful self-publishing remains just as difficult, if it isn’t getting even more difficult because of all of the new self-published books on the market. The combination of print-on-demand and on-line bookstores has revolutionized self-publishing in the same way that the world-wide web has revolutionized having an opinion.

In the old days, anybody could have an opinion, and most did, but only a select few could get their opinions to the masses. Today, anybody can make their opinion available to the entire on-line world, and many do. Of course, this also means that many people publish opinions that nobody else wants to read, either because they are trivial, boring, or disturbing. We have a plurality of opinions that we never saw before the Internet, and of course that means that sifting through those opinions is harder and harder. But they are all, even the trivial, boring, and disturbing ones, good to have available. They give us a deeper insight into the minds of people we might not normally see.

We are, of course, still free to ignore those opinions, and out of necessity we still do. We all make our choices about what to listen to--but we no longer have that choice made for us by someone else who happens to own a newspaper or television station.

In the old days, anybody could write a book, and quite a few did, but only a select few could publish their books to the masses. Today, just about anyone with a hundred dollars (or sometimes even less) can make their book available on Amazon, Barnes & Noble, and Books-a-Million for the world to purchase. The fact that many do makes it that much more difficult to be heard through the din, but that, also, reflects a wonderful new plurality of voices.

We can look at some of the tales of authors almost not getting published, or getting published solely through the dogged determination of their heirs, and realize that some wonderful books have been lost forever. No future generation will ever find them, because they were thrown out when the author died (or killed themself) along with the rest of the author’s effects. To the extent that self-publishing changes that, it is a good thing.


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“Every society has the criminals it deserves.”
--Albert Camus (Resistance, Rebellion, and Death)