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The Three Musketeers

Alexandre Dumas

Contents

  1. The Three Presents Of D’Artagnan The Elder
  2. The Antechamber Of M. De Tréville
  3. The Audience
  4. The Shoulder Of Athos, The Baldric Of Porthos And The Handkerchief Of Aramis
  5. The King’s Musketeers And The Cardinal’s Guards
  6. His Majesty King Louis XIII
  7. The Interior Of “The Musketeers”
  8. Concerning A Court Intrigue
  9. D’Artagnan Shows Himself
  10. A Mousetrap In The Seventeenth Century
  11. In Which The Plot Thickens
  12. George Villiers, Duke Of Buckingham
  13. Monsieur Bonacieux
  14. The Man Of Meung
  15. Men Of The Robe And Men Of The Sword
  16. M. Séguier, Keeper Of The Seals, Looks More Than Once For The Bell, In Order To Ring It, As He Did Before
  17. Bonacieux At Home
  18. Lover And Husband
  19. Plan Of Campaign
  20. The Journey
  21. The Countess De Winter
  22. The Ballet Of La Merlaison
  23. The Rendezvous
  24. The Pavilion
  25. Porthos
  26. Aramis And His Thesis
  27. The Wife Of Athos
  28. The Return
  29. Hunting For The Equipments
  30. D’Artagnan And The Englishman
  31. English And French
  32. A Procurator’s Dinner
  33. Soubrette And Mistress
  34. In Which The Equipment Of Aramis And Porthos Is Treated Of
  35. A Gascon A Match For Cupid
  36. Dream Of Vengeance
  37. Milady’s Secret
  38. How, Without Incommoding Himself, Athos Procured His Equipment
  39. A Vision
  40. A Terrible Vision
  41. The Seige Of La Rochelle
  42. The Anjou Wine
  43. The Sign Of The Red Dovecot
  44. The Utility Of Stovepipes
  45. A Conjugal Scene
  46. The Bastion Saint-Gervais
  47. The Council Of The Musketeers
  48. A Family Affair
  49. Fatality
  50. Chat Between Brother And Sister
  51. Officer
  52. Captivity: The First Day
  53. Captivity: The Second Day
  54. Captivity: The Third Day
  55. Captivity: The Fourth Day
  56. Captivity: The Fifth Day
  57. Means For Classical Tragedy
  58. Escape
  59. What Took Place At Portsmouth
  60. In France
  61. The Carmelite Convent At Béthune
  62. Two Varieties Of Demons
  63. The Drop Of Water
  64. The Man In The Red Cloak
  65. Trial
  66. Execution
  67. Conclusion

Author’s Preface

In which it is proved that, notwithstanding their names’ ending in OS and IS, the heroes of the story which we are about to have the honor to relate to our readers have nothing mythological about them.

A short time ago, while making researches in the Royal Library for my History of Louis XIV, I stumbled by chance upon the Memoirs of M. D’Artagnan, printed--as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille--at Amsterdam, by Pierre Rouge. The title attracted me; I took them home with me, with the permission of the guardian, and devoured them.

It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII, Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M. Anquetil.

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.

D’Artagnan relates that on his first visit to M. de Tréville, captain of the king’s Musketeers, he met in the antechamber three young men, serving in the illustrious corps into which he was soliciting the honor of being received, bearing the names of Athos, Porthos, and Aramis.

We must confess these three strange names struck us; and it immediately occurred to us that they were but pseudonyms, under which D’Artagnan had disguised names perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them on the day in which, from caprice, discontent, or want of fortune, they had donned the simple Musketeer’s uniform.

From the moment we had no rest till we could find some trace in contemporary works of these extraordinary names which had so strongly awakened our curiosity.

The catalogue alone of the books we read with this object would fill a whole chapter, which, although it might be very instructive, would certainly afford our readers but little amusement. It will suffice, then, to tell them that at the moment at which, discouraged by so many fruitless investigations, we were about to abandon our search, we at length found, guided by the counsels of our illustrious friend Paulin Paris, a manuscript in folio, endorsed 4772 or 4773, we do not recollect which, having for title, “Memoirs of the Comte de la Fère, Touching Some Events Which Passed in France Toward the End of the Reign of King Louis XIII and the Commencement of the Reign of King Louis XIV.”

It may be easily imagined how great was our joy when, in turning over this manuscript, our last hope, we found at the twentieth page the name of Athos, at the twenty-seventh the name of Porthos, and at the thirty-first the name of Aramis.

The discovery of a completely unknown manuscript at a period in which historical science is carried to such a high degree appeared almost miraculous. We hastened, therefore, to obtain permission to print it, with the view of presenting ourselves someday with the pack of others at the doors of the Academie des Inscriptions et Belles Lettres, if we should not succeed--a very probable thing, by the by--in gaining admission to the Academie Francaise with our own proper pack. This permission, we feel bound to say, was graciously granted; which compels us here to give a public contradiction to the slanderers who pretend that we live under a government but moderately indulgent to men of letters.

Now, this is the first part of this precious manuscript which we offer to our readers, restoring it to the title which belongs to it, and entering into an engagement that if (of which we have no doubt) this first part should obtain the success it merits, we will publish the second immediately.

In the meanwhile, as the godfather is a second father, we beg the reader to lay to our account, and not to that of the Comte de la Fère, the pleasure or the ennui he may experience.

This being understood, let us proceed with our history.


According to the notes, this was typed by:

John P. Roberts III
Roger Labbe
Scott David Gray
Sue Asscher
Anita Martin

God bless their chafed fingers! All HTML work, and a bit of error correction was done by me.

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Jerry

“I love you, but why must you love the law?
’Tis plain for all to see that she’s a whore
That virtuous persons have no need to woo;
That villains screw, then studiously ignore.
--Alan Moore (V for Vendetta)